Butler University Vocal Competition

BUVC Timeline & Important Dates

• November 1, 2024: Registration opens.
• Friday, January 24, 2025: Round 1 video recordings due by 10:00 PM Eastern Time.
• Monday, January 27, 2025: Semi-finalists announced and all Round 1 comments distributed to participants via email.
• Tuesday, January 28 through Friday, February 7: Sample lessons for Semi-Finalists begin.
• Monday, February 3: Repertoire Submission Forms due for all Semi-Finalists by 10:00 PM Eastern Time.
• Saturday, February 15, 2025: Live Event with Semi Finals and Finals Rounds

BUVC Live Event: February 15, 2025

Live event includes Semi-Finals and Finals rounds, masterclass and workshops, lunch with current students, a showcase recital, and closing ceremony. A schedule overview is below, more details will be shared as the event gets closer. Families and teachers are welcome to observe all events!

BUVC Live Event Schedule Overview (subject to change)

• 8:30 AM-1:00 PM (ET) Semi-Finals Round
• 9:30 AM-Noon Workshops and Clinics with Butler faculty, past offerings included Sight Singing and Solfege, Character Development, Italian Diction, Musicianship and Movement (Dalcroze Eurythmics)
• 1:00-2:30 PM Lunch with current Butler students in campus dining hall
• 2:30-4:00 PM Master Class and Announcement of Finalists
• 4:15-5:00 PM Final Round
• 5:00-5:30 P Showcase Concert by Current Butler Students
• 5:30 PM Awards Presentation

For Round 1, singers must perform TWO SELECTIONS from memory. Selections must meet the following criteria:

• Your repertoire must include at least one Classical style piece (art songs or arias). The second selection can (but does not have to) be a Musical Theater piece.
• At least one piece must be in English
• At least one piece must be in a language other than English.

Videos should be prepared and submitted as follows:

• Each selection should be video recorded in a single, unedited take.
• You may work with a live collaborative pianist, or use a pre-recorded accompaniment.  The pianist does not need to be shown in the video.
• Face the camera and direct your gaze as if the recording device were a panel of live judges.
• Do not move the camera, zoom, or cut to different camera angles during the performance.
• Avoid recording in spaces that are overly live/reverberant.  We want to hear your voice clearly!
• Do not edit the audio in any way, including correcting pitch or adding/removing reverb.
• Singers, please speak a brief introduction at the beginning of each recording, including:
  • Your name
  • Your grade
  • The title of your piece
  • The composer
  • The name of the opera, operetta, musical, or song cycle from which it is excerpted, if relevant.
  • The date you are making the recording
  • Example:  Hello, my name is Singer Singerson.  I am a ninth grader at Epic Musical High School in Indianapolis, IN.  Today is December 1, 2021.  I will be singing Alma del core by Antonio Caldara.
• A submission form will be emailed to each BUVC participant after registration is confirmed.  You may upload your videos to Youtube or Vimeo and submit the links, or enter Google Drive links.

High school seniors participating in the competition may use their BUVC  Round 1 performances as an audition for admission into the Butler University School of Music as well as for music scholarship consideration.. To utilize this option, students must apply to Butler University  as a music major via the Common App, listing voice as their primary instrument. Students should complete their Common Application before submitting their BUVC Round 1 performance videos. The pre-screening requirement is waived for students using the BUVC audition option; please insert “BUVC” when prompted for a pre-screening video. Please note, students must be admitted academically to Butler University in order to be admitted into the School of Music. Students may still audition prior to receiving their academic admission decision. Questions? Email JCAadmissions@butler.edu or call 317-940-9656.

New to the BUVC is the $200 IDEA Prize (Inclusion, Diversity, Equity and Access) which will be awarded to the singer who gives the strongest performance of an Art Song or Musical Theatre piece by an artist/artists from historically underrepresented communities.  BUVC participants are encouraged to select works by artists who hold marginalized identities, including composers and writers from the African Diaspora, Asian and Pacific Islanders, self-identified LGBTQ+ artists, Latinx artists, women composers, and other creatives whose voices have not been equitably represented on the concert stage. We are excited to help nurture a generation of performers that tell stories from every perspective. 

February 15, 2025

The Semi-Finals and Finals Rounds will take place live and in-person in the Eidson-Duckwall Recital Hall at Butler University in Indianapolis, Indiana. A full event schedule will be posted as the event gets closer. The live event is open to all participants, their families and friends, and private teachers. The event will include:

• Semi-Finals and Finals Rounds on the recital hall stage
• A showcase recital with current Butler voice majors
• Clinics and workshops with Butler voice faculty in topics such as Diction, Solfege, Musicianship and Movement, and more.
• Masterclasses with Butler voice faculty.
• Lunch with current music majors in campus dining hall
• Closing award ceremony

Dr. Dana Zenobi, Associate Professor of Voice, BUVC Director

A native of Northport, NY, Dana Zenobi is a versatile performer who embraces both standard repertoire and new music. An active recitalist, Dr. Zenobi earned national recognition as an interpreter of art song by women composers when she was awarded an Honorable Mention for Exceptional Repertoire by The American Prize (2016). She has appeared as concert soloist with ensembles including the Austin Civic Orchestra, the Valley Symphony Orchestra and Chorale, the Austin Chamber Ensemble, and line upon line percussion ensemble. She has also performed with Viola by Choice chamber music ensemble, and is featured on their 2010 debut recording, Florilegium. On the opera stage, she was deemed “the chief vocal pleasure” of Lyric Opera Cleveland’s The Pirates of Penzance, and named “a soprano to listen for” by the Cleveland Press. Read full bio.

Dr. Oliver Worthington, Associate Professor of Voice, Butler Opera Theatre Director

Oliver Worthington, baritone, has performed extensively as an opera singer, oratorio soloist and recitalist in Texas before moving to Indianapolis to join the faculty at Butler University. He has appeared with regional opera companies like South Texas Lyric Opera, San Antonio Opera, San Antonio Symphony, Hill Country Lyric, Austin Opera and Lone Star Lyric in diverse roles from Eisenstein in Die Fledermaus to Mamma Agatha in Viva la Mamma. Other roles include Count Gil in Il Segreto di Susanna, Bruschino in Il Signor Bruschino, Dr. Greg in Gallantry, The Duke of Plaza Toro in The Gondoliers, Le Podestat in Le Docteur Miracle and others in more traditional repertoire. Read full bio.

Dr. Becky Marsh, Associate Professor of Choral Music Education

Dr. Becky Marsh is Assistant Professor of Choral Music Education at Butler University. She holds the Doctor of Philosophy in Music Education, with a choral conducting cognate, from Michigan State University. During her time at Michigan State, Dr. Marsh was awarded a university-wide Excellence-in-Teaching Citation. She earned bachelor’s and master’s degrees in music education, as well as a Post-Baccalaureate Certificate in Music Theory, from the University of North Carolina at Greensboro. Read full bio.

Dr. Laura Storm, Lecturer of Voice

Soprano Laura Storm is a devoted pedagogue and an active performer of stage, concert, and chamber repertoire. Opera and musical theater performances include the title role in Puccini’s Suor Angelica at the Amalfi Coast Music Festival in Salerno,
Italy; Rosalinda in Die Fledermaus; Alice Ford in Falstaff; The Governess in The Turn of the Screw; Penelope Pennywise in Urinetown; Golde in Fiddler on the Roof; Desirée Armfeldt in A Little Night Music; and Nellie Forbush in South Pacific. Read full bio.

Professor Kirsten Gunlogson, Instructor of Voice

Grammy nominated Mezzo-Soprano Kirsten Gunlogson’s voice has been described as “rich”, “creamy” and “beautifully dramatic”. Mark Kanny, of the Pittsburgh Tribune, describes her voice as “a beautifully placed mezzo-soprano voice that is rich without ever being heavy.”  Known for her convincing interpretation of trouser roles and charmingly feminine portrayals Ms. Gunlogson has distinguished herself as an impressive singing actress. Ms. Gunlogson has performed with Palm Beach Opera, Michigan Opera Theater, Arizona Opera, Utah Opera, Opera Columbus, Baltimore Lyric Opera, Indianapolis Opera, Tulsa Opera, Toledo Opera, Austin Lyric Opera, Pittsburgh Opera, Anchorage Opera, Nashville Opera, Kentucky Opera, and Sarasota Opera. Read full bio.

Meagan Johnson, Instructor of Voice and Alexander Technique

A dynamic, interdisciplinary artist educator with more than 15 years experience teaching Alexander Technique and Voice to individuals and groups, Meagan loves empowering people with the skills and tools that support them in doing their best work and living their most whole lives — with ease, with freedom, and with joy.

With a life-long interest in the intersection of artistry, education, and well-being, Meagan Johnson is a certified teacher of the Alexander Technique, experienced singer and voice educator, and choral conductor. In addition to her Studio teaching in Indianapolis and online, she has served on the faculties of the Indiana University Jacobs School of Music, Marian University, and University of Indianapolis, and is Artistic Director of Indianapolis Women’s Chorus. Read more about Meagan Johnson’s teaching philosophy.

Danielle Cozart Steele, Instructor of Voice

Danielle Cozart Steele enjoys a multifaceted career as a soprano, conductor, researcher, and clinician. An alumna of Butler University and Cincinnati College-Conservatory of Music, she is currently pursuing her doctorate in music education at Teachers College, Columbia University. She is an intersectional scholar of choral music and trans/queer inclusivity and her research centers on peace and social justice themes. She is the founder and organizer of the Transgender Singing Voice Conference. 
Danielle served as the Artistic Director of the Young Professionals Choral Collective in Cincinnati, before returning to doctoral studies. She was on the faculty of IU East, directing the IU East Richmond Chorale, teaching private voice and conducting. In 2020, she joined World House Choir as their assistant director alongside Dr. Catherine Roma. Recently, Ms. Cozart Steele served as the Interim Director of Choral Activities at Earlham College. She also served as Interim Director for MUSE, Cincinnati’s Women’s Chorus. Ms. Cozart Steele worked with the Dayton Correctional Institute for Women prison chorus, Hope for Harmony. She places priority on featuring women’s and minoritized voices in her classroom and music programming.  Ms. Cozart Steele maintains an active solo vocal career, appearing in recital and with symphony orchestras throughout the Midwest. Her colorful, lyric soprano voice has earned her roles on the stages of Des Moines Metro Opera, Indianapolis Opera, Peach State Opera, Sugar Creek Symphony and Song, and Intimate Opera of Indianapolis. She is a champion of new music and enjoys working with living composers.

Grace (Eunhye) Lee, Staff Pianist

Eunhye is currently a staff accompanist at the Butler University School of Music. She holds a bachelor’s degree in piano performance at Keimyung University, South Korea as well as a master’s degree in piano pedagogy from Campbellsville University in Kentucky.

Though her passion is in collaborative piano and pedagogy, Eunhye also received many accolades as a performer earlier in her career; some of her past awards include 1st Prize Winner of the 2010 Kentucky MTA Bluegrass Young Artist Piano Competition at the University of Louisville and the 2014 Ohio MTA Graves Piano Competition, Young Artist Duet Division.

Eunhye has been a staff accompanist for undergraduate and graduate students as well as for faculty across the country and in South Korea for over two decades. Prior to her position at Butler, she worked as an accompanist at the University of Akron School of Music. She also has extensive experience as a church accompanist and currently accompanies at the Korean First Presbyterian Church of Indiana. In regards to pedagogy and teaching, Eunhye has held private student lessons for over a decade and currently teaches in the Carmel/Fishers area.

Dr. Karri York

Karri York, soprano, obtained her Doctor of Music in Voice from Indiana University Jacobs School of Music.  She is currently Associate Faculty of Voice at Indiana University Purdue University, Adjunct Professor of Voice at Anderson University, Voice Instructor for Pre-College and Adult Music Program at University of Indianapolis, and Director of Music at Tapestry Church.  Dr. York formerly held the position Assistant Professor of Voice in the School of Music at Ball State University, and served as Adjunct Voice Instructor at Butler University Jordan College of Fine Arts.  

            Dr. York’s performance experiences include recitals, oratorio, opera, and musical theatre.  She has been guest vocal soloist with Hendricks County Symphony Orchestra, Fishers Chamber Orchestra, Masterworks Chorale, Muncie Symphony Orchestra, and Butler Symphony Orchestra.  She has performed as soloist both locally and nationally, which include soprano soloist for Handel’s Messiah, Haydn’s The Creation, Mozart’s Mass in C Minor and Mozart’s Requiem.  Operatic roles performed include Susanna in Mozarts’ Le Nozze di Figaro, Laurie Moss in Copland’s The Tenderland, Gretel in Humperdinck’s Hansel and Gretel, and Nerone in Handel’s Aggripina, and Edith in Gibert and Sullivan’s The Pirates of Penzanze. 

            Dr. York regularly adjudicates for both collegiate level NATS, district and state ISSMA, solo and ensemble contests, for which she served as a member of the revision committee in 2014.  Additional adjudications include concerto competitions, Indiana Federation of Music Clubs, Young Artist Awards, Shelbyville High School Singing Sensational, and Preludes.  She has served as guest vocal masterclass clinician for Indiana Wesleyan University, Southport High School, and Whiteland High School. 

            Dr. York is a professional recording artist at Aire Born Studios, a premier recording studio in Central Indiana.  She has recorded vocals for Requim by Mark Hayes and for the independent film The War Within (2014) .  She sings for such current composers as Pepper Chopin, Keith Christopher, Craig Courtney, Dan Forest, Mark Hayes, Lloyd Larson,  and Ruth Elaine Schram.  Publishers include Beckenhorst Press, Hal Leonard Corporation, Lorenz, and Soundforth.